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Copyright Sanya |
What
do you do besides your zines? A: Besides zines, I go to school where I’m studying community health, in particular women’s health. I also do a music distribution called Riveter with my partner Adam. Riveter focuses on music from outside the US made by women who sing in languages besides English. We carry all kinds of stuff including US bands and bands who sing in English but that’s not our focus. We started Riveter mainly because we think that the ideas and music of women in general are overlooked, but that’s especially the case with women who don’t subscribe to the notion that English is “the new world language”. So far it’s a small distro and is going slow, but its fun to be doing something I really care about. I also like putting on shows that feature women musicians. When I was living in Chicago I was part of a women’s show booking collective. I worked with the collective putting on a series of benefit shows that ranged from punk to hip-hop and raised money for the Chicago Women’s Health Center (which offers free/sliding scale health care to women). |
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how long have you been running your zine now? How many issues did you put
out? A: So far Adam and I have only put out one issue of Riveter zine, which came out this past spring. Riveter is a kind of free for all zine that we started to get out ideas and issues we are interested in. This first issue is a little bit of everything and covers stuff from radical women’s history and the story of a pre Row v. Wade underground feminist abortion service called “Jane”, to immigrant workers’ fight for the 8-hour day, as well as interviews with two of our favorite bands (Post Regiment, and Stracony both from Poland), and info on depaving your driveway, as well as some personal-tied-in-with-political writings we did. The Women’s Self-Defense zine: Stories and Strategies of Survival is my longest running project. I have been collecting stories for the past 5 years, but the first issue just came out last winter. |
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Are
you the only editor or is there a team? A: The first issue of the WSD was edited solely by me, but this second issue is much more of a collaboration which is great and a quite a relief! I’m working with my friend Megan from Chicago who’s doing a lot of artwork for the 2nd issue and we’re able to bounce ideas off of each other. That’s been really awesome and helpful to have another woman in on the process! I’m also writing an article with another awesome woman zinester/musician on how people can support survivors of violence (a topic I think was sorely missing from issue #1). So this next issue is much more of a team effort. And hopefully the 3rd issue will be even more so. I’m very open to working with women on articles, and artwork etc. and I’m hoping that more women will want to get involved. |
Copyright Sanya |
What
made you decide to start this project? How
did you come up with idea and the name? |
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What do you hope to accomplish by establishing your zine? A: Well, when I started talking to women about their experiences with sexual assault I found that many women who had gotten themselves out of dangerous situations or stopped an assault didn’t think of it as self-defense; they just considered themselves lucky. So one goal of the zine is to help women redefine their experiences so that they can look back and acknowledge all they did to actively keep themselves safe. That they were in fact using self-defense techniques and not just “lucky”. I also want this zine to help create more of a network and ongoing discussion so that we can break the taboo around sexual assault and work to eradicate it! The zine also serves as a safe space for women to “come out” about their experiences so we can overcome isolation and begin to heal. |
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What
does zine making (and reading) mean to you? What
do you love about zine making? What’s the most challenging aspect
of making zines? What
was the first exposure to zines? How did you find out about them? What
have they come to mean to you? |
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Do
you consider grrrl zines as an important part of a movement of sorts? Do
you think zines can effect meaningful social and political change? A: Yes on both counts! I see zines as being like the equivalent of books, but mostly written by marginalized people who probably don’t have the resources, time, or connections to get published in the traditional sense of the word. On a good day zines have the potential to be revolutionary because they are totally free from censorship, and profit motives. Zines create space for folks to express their concerns, ideas, experiences, etc. as well as educate others. All very important stuff for creating any kind of social change! |
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What
advice would you give others who want to start a zine? What
are some of the zines you admire? Could
you please describe a little bit the grrrl zine community in your country? |
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Do
you define yourself as a feminist? A: Yeah-- I’ve always thought of myself as a feminist. But at the same time I’m weary of labels of any sort as they have a tendency to drive people apart just as much as they bring people together. I think my actions define me as a feminist: I love working with women, hanging out with women, and advancing the equality, empowerment, and autonomy of all women on all fronts in any way I can. |
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What
role plays the internet for you? Does it change your ideas of making zines
and doing/reading zines? Do
you have any suggestions? Something you want to add? |
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Ariel
Clemenzi PO Box 2433 Champaign, IL 61825-2433 U.S.A. |
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